Thomas Stearns Eliot Modernist Anglo - American poet, dramatist, literary critic (1888 - 1965) He was born(p) in St. Louis in 1888 to a family with prominent New England roots. He study at Harvard, in 1906, was sure into the literary circles, where he favoured 16th- and 17th-century euphony line, the Italian Renaissance (particularly Dante), eastern religion, and philosophy. The superlative influence on him was the 19th-century French Symbolists such as Charles Baudelaire, Arthur Rimbaud, Stephene Mallarme, and Eliots favourite, Jules Laforgue. From 1911 he studied at the Sorbonne, and in Oxford, in 1914 he found residence in London and in 1927 became a British citizen. After working as a teacher and a brink clerk he began a publishing biography; he was assistant editor in chief of the Egoist (1917-19) and edited his profess quarterly, the amount (1922-39). In 1925 he was use by the publishing class of Faber and Faber, finally becoming one(a) of its directors. In 1915 he married British author Vivienne Haigh-Wood (they would divorce in 1933), a woman abandoned to slimy physical and psychological health, and in November of 1921, Eliot had a nauseated breakdown. By this snip Eliot had already achieved broad success in 1917 with his low gear record of poems, Prufrock and Other Observations. Eliot gained the confusion and aid of a coetaneous poet Ezra bastinado, the different tower of Modernist poetry.

During Eliots recuperation from his breakdown in a Swiss sanatorium, he wrote The ball up Land. A couple of months later he gave Pound the manuscript in Paris. Thanks to Pounds heavy editing, as easy as suggestions. The moulder Land, were published in 1922, specify Modernist poetry and became possibly the close influential poem of the century. The permissive waste Land         nonexistent of a adept speakers voice;         the poem always shifts its tone, form, languages;         numerous allusive... If you want to watch a full essay, rewrite it on our website:
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